OTIS – AN ARTIST SPOTLIGHT AND SINGLE REVIEW – “I’M WICKED”

OTIS – AN ARTIST SPOTLIGHT AND SINGLE REVIEW – “I’M WICKED”

By Ralph Beauchamp

Otis is a four piece juggernaut out of Kentucky who have just released their dynamic new single entitled “I’m Wicked’ to critical acclaim from fans and critics alike. Otis is comprised of Boone Froggett (Lead Vocals/Guitar), John Seeley (Bass), Alex Wells (Guitar) and Dale Myers (Drums). The band’s sound feels like a late night conversation that accidently turns into a confession. Otis‘ music is downright swampy with kinetic bluesy overtones. Their songs feel lived in which gives the band a definite authenticity that’s hard to fake.

Musically, Otis sits comfortably in that space between Southern Rock, blues, and audacious soul. Yet, their sound doesn’t commit to any one lane. Their arrangements are groove-laden and tasteful. Otis lets their riffs breathe instead of crowding them with excess. Basslines tend to do a lot of heavy lifting while the guitars shimmer rather than shout. The drums lay down a perfectly executed beat. The result is a sound that feels cohesive, even when the band experiments with different moods and tempos.

Vocally, there’s a rawness that makes the lyrics hit harder than they might appear on paper. Froggett’s voice is an exceptional tool. Full of grit and perspective, His vocals elevate the songs to another level. Otis prioritizes tone and phrasing which allows small cracks and imperfections to become part of the emotional texture. It makes their songs feel more human in a way that polished pop or country rarely does.

Lyrically, Otis gravitates toward introspection and social observation. Relationships, longing and lost desire all figure heavily in their tunes. Also, their writing avoids melodrama, favoring a direct approach to their musical tidings. Otis strikes fast and hits hard. There’s a sense that not everything needs to be resolved by the final chorus which mirrors real life. More than than tidy storytelling ever could.

“I’m Wicked” is a perfect example of Otis‘ spectacular songwriting. Once again, Froggett’s vocals deliver a torrid blast of bluesy intonations. Every note is gloriously funky. Pass the Jack Daniels! The guitars flair with intense urgency that easily captures the listeners attention. Seeley’s bass is cosmically brazen while Myers’ percussions slam with determination. Wells’ solo is all devouring. “I’m Wicked” is truly spellbinding and infectious.

What ultimately makes Otis compelling is their restraint. They trust space and vibey riffs. Otis understands that impact doesn’t always come from volume or speed but from a stunning melodic edge. Their music lingers rather than explodes. It’s the kind of sound that grows deeper the more you spend time with it. Otis doesn’t just make songs for the moment. They make music that waits for you to catch up.

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